My work is all about drawing, toggling between abstraction and figurative narration.
I’m interested in unstable Constellations, the seismographic quality of the drawing and the power of failure.
My intention for my stay in Skagastrond was to stare at the sea. I love the barren seclusion of the place, the breathtaking nature and the dynamic that emerges in a group of very different artists.
I work here on the basic elements of my aesthetic practice. I try to sort and expand my drawing vocabulary. I stare at the sea, now and then I jump in.