Harry Darkins (UK) has been an artist in residence at Nes since February.
Working primarily from his photographs of Iceland’s landscapes, light and ever-changing weather, he has produced paintings and drawings in charcoal, graphite and pastel, focusing on capturing a sense of place and atmosphere.
Recently, spending time at the site of the new volcano at Fagradalsfjall has led him to explore the concept of storytelling in drawing, reimagining his visits to the volcano as a series of mixed media panoramas based on both photographs and memory.
In June Harry will complete a further residency with ArtsIceland at Ísafjörður in the Westfjords.
Alex Close is a Canadian visual artist and researcher currently based in Ottawa Canada who recently graduated with an MDes in industrial design research from Carleton University in Ottawa (2020) and an MLitt in fine art practice from the Glasgow School of Art in 2017. She graduated from her BFA in drawing and painting from OCAD University in Toronto in 2015.
Critical and curious about mechanical rhythms adopted by humans, she questions the material imprint man-made items or rhythms have on subconscious movement patterns and the process of archiving images in memory.
In this vein, she also explores optics and perception with a critical eye on constructed or designed experiences/spaces and how organic powers such as sleep might fight back.
In this realm of dyads she explores the juxtaposition of supernatural (such as mythology) and hypertechnological spaces, and the meeting point of industry and natural environment (which in some cases can be oddly harmonious).
She is also committed to cross-disciplinary dialogue with her recent research exploring remote multidisciplinary drawing ideation through digital media such as virtual reality.
Before leaving Iceland Alex exhibited at Litla Gallery in Hafnarfjörður near Reykjavik. You can find more information about her work here: https://a-close.com/
Janine Gerber is a german artist, working and living in Lübeck close to the Baltic sea. She graduated in 2006 from the School of Art and Design Berlin-Weißensee and studied at the Academy of Fine Arts Munich. In 2018, she was awarded the 1st Possehl-Art Award for Lübeck Art.
Her artistic research is based on the transition between the illusional space in a painting and the natural space.
Janine explores themes of materiality and its poetic value, sensory aspects of surfaces like ink, oil paint or paper (unprocessed white, or paint with machine oil) and the opening towards the three-dimensional.
During her one-month stay at NES artist residency Janine is focused on themes of folding and tangency in nature.
Kyo Kayamoto is a Japanese illustrator based in New York City. After graduating from Pratt Institute, she started her full-time freelancing career; writing and illustrating books, creating animations, and other illustration and graphic projects for a variety of clients.
Recently she is focusing on making postcards series as a personal project; in the picture you can see some of her illustrations for halloween and easter. She illustrates a story with some sense of humor with her original cute characters in each picture.
Janette Kerr’s paintings and drawings represent immediate responses to movement and rhythm within the landscape.
Here in Skagaströnd they are about advancing snow and mist, wind, glancing sunlight, whiteness and shadows, land and mountains disappearing and reappearing – elements that seem to be about something intangible.
Visit Kerr’s website for more information or read her blog on her experience here in Skagaströnd and the far north.
Natasha van Netten is a visual artist from Vancouver Island, Canada. Her studio practice revolves around whales and cetology (the study of whales, dolphins and porpoises). Museum displays, charts, graphs and scientific data all inform her work. While at the Nes Artist Residency she is creating experimental drawings using watercolour, ink, wind, weather and the ocean. These processes allow nature to manipulate and alter the work.
“I am interested in incorporating elements and fragments from specific locations into my drawings. In a way the drawing then becomes a record or a specimen of that place, adding another level of complexity. Working with nature has its challenges, difficulties and risks but the surprises can be very rewarding.” For more about Natasha’s work, check out her website: natashavannetten.com You can also follow her on Instagram @n_van_netten.