“Over the past several years I have produced a number of large, site-specific, temporary wall drawings. The drawings feature landscape imagery, and are drawn directly on gallery walls with chalk.
Their fragile and ephemeral nature maps onto both environmental and existential concerns; they will all eventually disappear, and are threatened by the presence of the viewer.
In a couple of recent works I included the erasing process in the exhibition, slowly destroying the images over the run of the show.
At NES I decided to experiment with taking this process further. I started with a drawing of Spákonufell, the mountain overlooking Skagaströnd, and each day I have made alterations to the drawing — adding in new elements, smearing them, erasing, wiping with a wet sponge, and then building the drawing back up.
These continual shifts echo the continually shifting skies and weather here. The drawing is alive and never finished.”
Ragga Róberts is an Icelandic artist who lives and works in Reykjavík, Iceland. She graduated from Pratt Institute with a BFA in Painting. Ragga has exhibited her work in Iceland, New York, and Texas. Her work narrates the beauty of icebergs and hints at the sadness of them slowly melting away due to climate change.
Ragga’s recent work explore light, color and nature. She is inspired by artists such as Fairfield Porter, Louisa Matthíasdóttir and Zaria Forman.
Janette Kerr’s paintings and drawings represent immediate responses to movement and rhythm within the landscape.
Here in Skagaströnd they are about advancing snow and mist, wind, glancing sunlight, whiteness and shadows, land and mountains disappearing and reappearing – elements that seem to be about something intangible.
Visit Kerr’s website for more information or read her blog on her experience here in Skagaströnd and the far north.
“I am a painter and my name is Sanneke Griepink. I live and work in Amsterdam in the Netherlands. My own work is very much connected to Iceland. When I went to art school, Iceland became my internship project. The Icelandic nature told me about our origins, about surviving in a climate of wind, rain, ice and fire, glaciers and waterfalls.
Iceland changed my way of looking forever. The landscape merely abstract, for the first time I could make realistic works but still with an abstract quality to it. This taught me about space, mass, substance and structure. In the abstracted landscapes of Iceland I could tell about the roughness and necessity of nature, our origin where we are different away from since we as human beings , settled down and started to experience nature as a threat. The Icelandic landscape is bare and rugged and mirrors all emotions possible.
The beauty of a landscape , the contact with nature, this is what I want to depict, I also urge for the need of nature and the pure experience, away from screens and asphalt, to find oneself again in a distressing surrounding. It is by painting it, I get to understand the meaning of a landscape. The seasons and different kind of weather are important to me, and I like them to reflect in the landscapes I make.”