An idiosyncratic specimen of globalization, I was born in Almaty, Kazakhstan, my father being North Korean and my mother being Russian. Having caught a glimpse of the ex-USSR, I have a nostalgic, conflicting perception of political and cultural systems. The image of Korea evokes for me a tantalizing, fragile and beautifully moving atmosphere. How come? Perhaps, because my father, who was born Pyongyang, writes essays and existential about the Korean diaspora in former CIS countries. Devoid of a homeland, I focus my art on the themes of ethnical atomization, emptiness and nostalgia. Unable to fully assimilate into any one culture, I find myself as an outsider with an eclectic artistic taste. Art represents the act of seeking, assembling and immortalizing beauty. Through my artistic practice, I recreate the state of inspiration and emancipation, experienced during my childhood. My works strive to capture the ephemeral impressions. The concepts, which I explore in my work, include the globalization, surveillance, nostalgia, utopia and eroticism.
Recently, I was involved in initiatives with the Royal Watercolor Society, Art Below, Art Wars in London, Red Dot Miami and Los Angeles. This year, I am having shows at 508 Kings Road in London as well as Untitled Space, the New York Art Expo, Theresa Byrnes Gallery and Salon Anise in New York. Currently, I am curating an emerging artist in Hackney, London and welcoming artists to apply for our next open call on the theme of “Spacetime” (deadline February 1st, all details here): https://www.instagram.com/p/B7G-ahnJcUg/
“I am a painter and my name is Sanneke Griepink. I live and work in Amsterdam in the Netherlands. My own work is very much connected to Iceland. When I went to art school, Iceland became my internship project. The Icelandic nature told me about our origins, about surviving in a climate of wind, rain, ice and fire, glaciers and waterfalls.
Iceland changed my way of looking forever. The landscape merely abstract, for the first time I could make realistic works but still with an abstract quality to it. This taught me about space, mass, substance and structure. In the abstracted landscapes of Iceland I could tell about the roughness and necessity of nature, our origin where we are different away from since we as human beings , settled down and started to experience nature as a threat. The Icelandic landscape is bare and rugged and mirrors all emotions possible.
The beauty of a landscape , the contact with nature, this is what I want to depict, I also urge for the need of nature and the pure experience, away from screens and asphalt, to find oneself again in a distressing surrounding. It is by painting it, I get to understand the meaning of a landscape. The seasons and different kind of weather are important to me, and I like them to reflect in the landscapes I make.”
Sarah Thibault is an artist and writer based in San Francisco. She has been traveling since the summer of 2018, living as a nomad and attending artist residencies. Her paintings and creative non-fiction essays are inspired by her travels and the people she meets on the road.
Her paintings and drawings investigates the feminine inconography through self-portraiture, portraits of other female artists and representations of the female in historical painting traditions. Her work can be found on her website: sarahthibault.com and her Instagram at @sarah_thibault.
Jaq Grantford is an award-winning Australian artist, specialising in fine art and portraiture who plans to spend her month in Skagaströnd working on projects for upcoming exhibitions. You can find out more about Jaq at http://www.jaqgrantford.com/
“I’m thrilled to be at Skagaströnd and to learn more about your beautiful town. I will be painting a few pieces that are part of an exhibition that I’m developing with musician, Andrew Batterham. And in addition I’m hoping to do one or two small portraits of some local people. I look forward to meeting you at some stage during my stay in November!”