“In my practice, I depart from my own experience within care work, and my work results in films, photography, video installations, or interactive performances. The question of care as a commodity is at the center of my practice. Born in Sweden, 1988, I’m originally a filmmaker with a Bachelor’s degree in Photography, Valand Academy, Gothenburg. For this trip, I got a travel grant from the Swedish Arts Grants Committee to come here and work with my project ‘Caring with Force’.
During my two months stay at NES residency I’m researching Icelandic Psychiatric Care and their alternative to restraint-belts within forced care for my current project. While staying here I also collect stones, take walks in the wind, and every day I take a picture of the everchanging ocean.”
I had a clear intention for my time at NES—and was surprised by the opposite direction my work took this summer. New synapsis in my brain seemed to happen. New forms of expression. I am a PhD researcher and writer @Aberystwyth University in Wales, and former Fulbright Fellow in Ljubljana, Slovenia. I stepped away from my academic work in literature this summer to focus on a new project. I created The Foss and Moss Puppet Theatre to support the epic absurdist poem I have started writing. I cultivated stanzas by utilizing textiles from the natural world, such as Icelandic wool roving, to create individual characters who represent surrealist ideas about what it is to exist as a human in a meaningless/meaningful world. Through this practice as research and the use of interdisciplinary modes of expression, I was able to generate new creative impulses in my writing. The intense natural environment of Iceland, the mountains, sea, wind, arctic terns, sheep, unseen elemental beings, and the opposing force—the human being—was fertile ground for a delve into existential questions for my Puppet Theatre of the Absurd Poetry Project. I also began to read and study the fiction of Icelandic writer, Sjón, who inspired me immensely, as well as the poems of Gerður Kristný. I have been deeply moved by the imaginative landscape, both in Icelandic literature, as well as out the door on foot, miles and miles of wide expanse.
Side event: I was so fortunate to have the opportunity to collaborate with fellow artists for one week on a concert, where, besides reading from my book, Firewalking, I performed two pieces musical theatre pieces—one dramatic, one joyful. I was trained as a soprano and performed for many years but had not done so in more than almost two decades. So, I was thrilled to work together, especially with Galina Dimova Georgieva, the gorgeous classical pianist and composer from Cyprus. https://kelleymckenna.com
Alexandra Ivanova is a composer, musician, researcher and writer, mentored by Lebanese-American composer and pianist Tarek Yamani. Through her writings and music, Alexandra aims to recreate connection and relatability between cultures that are othered in present times. Alexandra is working on new compositions and deepening her study of Azeri and Cuban folklore.
During her NES residency, she also discovered Icelandic folkloric songs through the history of the forgotten Icelandic Fidla. Alexandra sheds light on possible links of certain Icelandic folklore to Oriental influences and is creating new arrangements that celebrate these unlikely connections.
When not on the keys, Alexandra is researching and writing about identity, belonging and privilege. Her activities and interviews with Skagaströnd’s local community are part of her process creating an interactive theatre piece that questions social norms.
Building on her recent debut concert in Vienna, Alexandra is also combining her spoken word poems and compositions in live performances that spark questions around current social and cultural topics.
Follow her on Instagram: @a.i.jazz Photography credits: (1)Group in Skagaströnd: http://ludwignikulski.de (2) Solo image: Sam Adutwum (@samadutwum) Live video credits: Amin Ebrahimi (@amin_embrahiimii)
“Since 2014 my predominant media are painting and installation while exploring different random processes. My work has been very influenced by residency times and travels to Iceland where my observations of the color of the sky over a day, a week, a month led me to the Weathertranscriptions.
This practice has been more and more conceptualized and is rooted in the taoist philosophy and the idea of the sky of as a continuous movement and creative energy. I work with materials that are not very common for painting as plotter foil, other plastic materials and tracing paper which have the translucence that reminds of the sky’s impression.
So while as in a traditional landscape painting the sky and the earth are on one ground the result of my work is both vertical and horizontal as I work on the wall, performing a very simple gesture of tracing a line on the underground and in parallel collect the paint on the floor on paper, foil or other materials.
Often the process is documented by photography or even video. Deliberately I do not control the dripping paint, the notion of letting go or letting happen is part of my approach.
The results are abstract paintings that embody the notion of time and space and can be seen as landscapes in some ways.
Alongside my painting practice I dance a lot since a few years and I started to make video captures of those dances in the lasts months as it links to my older photographic work where I staged myself in different settings. I want to dedicate my time at Nes to find out if and how I could combine those two approaches to something broader like performance or choreography.”
Adriene Jenik is an artist and educator who resides in desert. Her computer and media art spans 3 decades, including pioneering work in interactive cinema and live telematic performance. Her mediated performance projects have been written about in The New York Times, published in The Drama Review, and recognized by the Rockefeller Foundation.
Jenik’s current creative research projects include “data humanization” performances, immersive learning experiments and street performances reading “climate futures” with her ECOtarot deck. At Arizona State University, she serves as Professor of Intermedia in the School of Art, affiliate faculty in the School for the Future of Innovation in Society and a sustainability scientist at the Global Institute of Sustainability.