Yoshima Azuma, ceramist, born Kyoto, Japan.
Easy to use when using food. When you don't use it, you can make flowers, stack them up, or decorate them as oranges. The aim is to create a simple, stateless atmosphere that is not trapped by the style, and that can be created by adding the sensibilities of the people who use it. The material is mainly potter's wheel using semi-porcelain. In order to give the contrast of the soft and gentle expression that the soil has in the simple and sharp line, the processing of the edges of the vessel is important. We produce a lot of vessels that have a soft edge and have a bent edge or a different glaze only on the edge. In addition, the glaze has been devised to prepare a glaze with a matte texture so that you can enjoy subtle color changes when bathing in the light of the sun when it contains water. You can find more about Yoshimi and her work on her website http://www.azurer.com/news/index.html and Facebook page https://www.facebook.com/yoshimi.azuma.56/photos
“onomatopoeia with plate” White porcelain plate which is a part of objet decoration stick like parasites. It is possible to combine as you like, because it divides to form big or small pieces. plate: φ250×45 A piece of “onomatopoeia” : φ48×35 6 pieces of “onomatopoeia” : 150 ×100 ×52 
“onomatopoeia on the wall” White porcelain plate which is apart of objet decoration stick like parasites on a wall. plate:φ300×45 A pice of “onomatopoeia” : φ48×35 
“spairal ” Black and white spiral porcelain bowl. φ180×h90 
“ireko” Blue porcelain bowl white bronze rim. “ireko”(kind of nested boxes) which is inspired from the shapes and functionality of the Japanese lacquer ware. φ145×55 /φ113×50 /φ81×41 
“onomatopoeia – ta yu ta fu” Blue porcelain “onomatopoeia” bowl white bronze rim. “ireko”(kind of nested boxes) which is inspired from the shapes and functionality of the Japanese lacquer ware. φ250×55 /φ180×52 /φ120×50 “hada-e” Stoneware objet . Delicately elaborated shapes on the potter’ s wheel then are left to gravity , get deformed, and burned.This approach appeal to one’ s sense of touch by keeping and softly moving like form and the texture of material. 200×200×h240 200×200×h300