Daryl Farmer is a writer living in Fairbanks, Alaska. He is the author of two books: Bicycling beyond the Divide, a nonfiction travel narrative, and Where We Land, a collection of short fictional stories. His recent work has appeared in The Whitefish Review, Hayden’s Ferry Review, and Gingerbread House. He is an associate professor at the University of Alaska-Fairbanks.
“I write to break through the chaotic maelstrom of my mind. Maelstrom: a powerful often violent whirlpool sucking in objects within a given radius. I write to stop it, to slow it down, organize those objects in a way that makes sense. In writing, I move from chaos to order. From this order, on my best days, I skirt the edges of peace and feel its cold spray on my face. I write to remember: to place my feet on the ground of the past, look around me and wonder at who I once was, who I am now. I write in hopes that my words will provoke thought or memories in readers.
For me, the writing process begins not on the page, but in awareness: of the sensory details that surround us, of the way that stories inhabit our lives, of our own thoughts, ideas and memories. Some of the best training I received for writing was in photography school, where the eye was trained to notice all the nuances of light and to frame details from close-up to a wider view.
In my recent writing, I have been examining more closely the role of setting and how it works not as backdrop to character’s lives, but as central to how they live, and how they perceive the world. A lot of my work is also fueled by an insatiable fascination with cultural geography, history, and identity. I believe writing—like all art–can help us all understand human connections, with the natural world, with the culture that surrounds us, and with each other.”
Links to examples of work –https://gingerbreadhouselitmag.com/2015/04/29/the-chestnut-trees-the-wishing-well/ http://gristonlinecompanion.com/daryl-farmer-2/
Emilie Slater is a filmmaker and curator originally from Philadelphia. Her work centers on themes of work, time and ethnography. Her projects remains heavily influenced by her experience as a community organizer and graduate work in labor relations. Drawing from neo-political and feminist critical theory, she sees film as a means to explore how reality can be translated beyond the confines of positivism. Her arrangements are loosely thematic and hold an affinity for repetition and synchronized rhythm all rooted in the analog tradition.
GoodNight’s Sleep Western Mass Microcinima
Tom R.M. has worked more than a quarter century as an art-photographer. Based in the countryside near the second biggest island of Germany, Usedom, he is addicted to the sea and the coast. His main projects are based on the landscapes were he is living or traveling to. Expressive Black-and-white photos, seascapes and coast lines, structures and pattern in nature, in all scales and is a never ending source for his work.
The time in Skagaströnd Tom R.M. continues his longterm study of the landscape in Iceland in all seasons and the magic of the fast changing light and collecting studies of forms, colors and sounds for later collages and prints.
September Opið hús! Friday 22nd @ the convenient time of 16.00-18.00. 😉 Come by after work, and start off your weekend with some very interesting & well spoken humans sharing their world with you. 🌎 If the weather is good to us…there is going to be a home-made ceramic oven/kiln, that will fire sculptures outside. !
Basically they’re used to explore the environment, learn their lyrics well and understand their role in that ongoing performance on stage. It is a kind of romantic reciprocity between them and the world, being worth it to think about those relations, their potentials and risks. The interaction is an inevitable symbiosis regarding to each other’s existence. Eventually, they try to collect their own impressions and consciously position themselves on a stage which belongs to all of us.
What is my phrase? Where is my company? Who’s writing my lyrics and whose drama is it within I am finding myself on stage?
So many questions arise but at least there is a first answer:
‘They’ is me and me is Pham, Minh Duc, a queer Vietnamese Conceptual artist based in Berlin.
Rose-coloured spectacles (He changed.)